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It is suggested as a resource by the Sibley Music Library and by libraries at other universities such as Stanford University, University of California, Los Angeles, Brown University, University of Pennsylvania, University of Wisconsin–Madison, Oberlin Conservatory of Music, Manhattan School of Music University of Maryland, University of Washington, University of Cincinnati, University of Wisconsin–Milwaukee, Appalachian State University in the US, McGill University in Canada, University of Oxford, University of Cambridge, University of Edinburgh University of Bristol in the UK, University of Melbourne in Australia, and others. IMSLP is recommended as a research tool by MIT, which also uses it extensively for providing scores for its OpenCourseWare courses. Also, pages on publishers provide valuable information, and the work pages themselves often contain a large quantity of information, e.g. īesides providing a digital repository, the IMSLP offers possibilities as a musicological encyclopaedia, since multiple and historical editions of a single composition can be uploaded. Bach's complete public domain works, all public domain works of Ludwig van Beethoven, Johannes Brahms, Joseph Canteloube, Emmanuel Chabrier, Ernest Chausson, Frédéric Chopin, Joseph Haydn, Arcangelo Corelli, Claude Debussy, Vincent d'Indy, Paul Dukas, Gabriel Fauré, Pierre-Octave Ferroud, George Frideric Handel, Jean Huré, Albéric Magnard, Giovanni Pierluigi da Palestrina, Maurice Ravel, Albert Roussel, Erik Satie, Florent Schmitt, Franz Schubert, Robert Schumann, Alexander Scriabin and Jean Sibelius are available, as well as a large percentage of Wolfgang Amadeus Mozart, Franz Liszt, and the works of many others as well. One of the main projects of the IMSLP was the sorting and uploading of the complete works of Johann Sebastian Bach in the Bach-Gesellschaft Ausgabe (1851–99), a task that was completed on November 3, 2008. In addition, it admits scores by contemporary composers who wish to share their music with the world by releasing it under a Creative Commons license. The library consists mainly of scans of old musical editions out of copyright. The site was launched on February 16, 2006.